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In 1926, five women disappeared from a remote island in Vermont. Now, one hundred years later, it's happening again. Struggling actress Marin Keane is shocked when she lands a role in a major motion picture about the unsolved mystery of New Avalon, an island on sprawling Lake Faraday in Vermont. She's even more surprised when she learns that the role requires a weeklong research trip to that very spot. Because New Avalon isn't your ordinary island. A century ago, it was a commune for spiritual mediums—until they all vanished in 1926. The only trace of them was five dresses hanging from the branches of an old oak tree in the middle of the island, one for each missing woman. Some locals say they simply left. Others think they were murdered. But the prevailing opinion, thanks to a diary left behind by one of the vanished, a young woman named Daisy Rue, is that a séance gone wrong conjured something supernatural that took them all one by one. Not long after arriving, Marin and her castmates, including legendary actress Violet Wright and white-hot director Ronan Peters, begin to realize all is not right with New Avalon. They hear strange noises in the night and notice mysterious symbols left behind by the island's previous occupants. And after a sudden health emergency leaves Marin, Ronan, and the other actors stranded on the island, the disappearances begin again. Is it the work of someone trying to derail the movie? Or is the island's alleged supernatural past catching up with the present? As fear and suspicion mount, Marin turns to Daisy's diary, hoping it holds the key to figuring out what really happened to the women of New Avalon—and how to keep the island's terrible history from repeating itself.
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The rafting trip was supposed to be the adventure of a lifetime. But Kaia's starting to think she made a mistake. Because ever since the whispers about Camas Creek began, all she feels is dread. Seven years earlier, a guide murdered a group of rafters on this same isolated stretch of water. The killer's body was recovered downstream—but the true-crime community has never stopped asking questions. And for good reason. The incidents start small—a flipped raft, missing supplies, and screams in the night—but the pattern is sickeningly familiar. And with eighty-four miles of whitewater until any sign of civilization, safety has never felt so far away. Kaia suspects that one of the guides is lying. One of the guests knows more than she's saying. And somewhere on this river, someone is planning to finish what started at Camas Creek.
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Macy and Ethan built their careers pursuing the unknown, turning their YouTube channel, Ghost Patrol, into a viral sensation as they investigated the paranormal. But when they wade into the murky depths of the Louisiana bayou—looking into the disappearances of two local women—alongside team members Tasha and Max, their latest case takes a lethal turn. What begins as a routine hunt for answers quickly spirals into something far more sinister. Shadows move where they shouldn't. Secrets surface where none should exist. And when Macy stumbles upon a horrifying truth, she realizes they were never just chasing a story; they were lured here for a reason. As the swamp closes in and the line between hunter and hunted blurs, one thing becomes terrifyingly clear: some secrets are better left buried.
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#29 in the Kay Scarpetta Series
During the early hours of Christmas morning, chief medical examiner Dr. Kay Scarpetta receives a chilling call. The Phantom Slasher has struck again. The serial killer has terrorized Northern Virginia for months. His pattern is to stalk with a sophisticated technology that enables him to invade his victims' homes and watch their every move. They wake up to a ghost-like hologram before being murdered in their beds. Scarpetta is summoned to Mercy Island, the site of a notorious psychiatric hospital where two people have been brutalized, one of them from Scarpetta's past. It soon becomes apparent that she could be next...
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Annie Blunt has had an unimaginably terrible year. First, her husband was killed in a tragic hit-and-run accident, then one of the children's books she's built her writing and illustrating career on ignited a major scandal. Desperate for a fresh start, she moves with her son Charlie to a charming small town in upstate New York where they can begin to heal. But Annie's year is about to get worse. Bored and lonely in their isolated new surroundings, Charlie is thrilled when he finds a forgotten train set in a locked shed on their property. Annie is glad to see Charlie happy, but there's something unsettling about his new toy. Strange sounds wake Annie in the night—she could swear she hears a train, but there isn't an active track for miles—and bizarre things begin happening in the neighborhood. Worse, Annie can't seem to stop drawing a disturbing new character that has no place in a children's book. Grief can do strange things to the mind, but Annie is beginning to think she's walked out of one nightmare straight into another, in a haunting story of psychological terror that is far more terrifying...
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Anya is enjoying a relaxing bath when she hears a noise coming from the ceiling. Through the open bathroom door, she sees the attic hatch swing down, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realizes why the footage is eerily familiar: it was filmed inside her own house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.
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When Brooke was kidnapped on her way home from work, she thought her life was over. That was ten years ago. She's been held captive in an isolated cabin on the Oregon coast ever since, scrambling to follow her kidnappers' twisted instructions to the letter. Because the price of a mistake is death. But when a new victim shows up, everything changes. Including the rules. And this time, the only way to survive is to break them.
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It's just an average night at the Ink Tank, the tattoo shop in Austin, Texas, where Brynn works as a tattoo artist. After a long shift, all she wants to do is head home, pop a few pills from the fresh bottle of Roxicodone in her jacket pocket, and slip into a nice buzz. Her plans crumble when she's abducted by her convict father, Alan, and forced into the road trip from hell: a cross-country trek to the Rocky Mountains and the shelter he built years ago to protect his family from the monsters living in his head, the monsters he says will erupt from the earth at any minute—the feeders. With each mile he unravels further, thrusting Brynn back into the childhood nightmare she thought she'd escaped forever. Alan is paranoid, and he's definitely dangerous—but is he crazy?
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When a shriveled body turns up in an old silver mine, failed detective Syl Dixon gets pulled into the investigation. But the strange case is even more sinister than she imagined. And the dying town of Pate, Idaho is full of secrets that don't want to be uncovered. People go missing all the time. Strange howls echo from the woods. Eerie portraits hang like shrines outside homes. But nobody-including the local sheriff-seems to care. The deeper Syl digs, the more she realizes she's facing a malicious darkness that has plagued Pate for over a century. Can Syl rid the town of this evil before it swallows everything in its path, including her?
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#11 in the Will Trent Series
After that night, everything changed . . . Fifteen years ago, Sara Linton's life changed forever when a celebratory night out ended in a violent attack that tore her world apart. Since then, Sara has remade her life. A successful doctor, engaged to a man she loves, she has finally managed to leave the past trauma behind her. Until one evening, on call in the ER, everything changes. Sara battles to save a broken young woman who's been brutally attacked. But as the gripping investigation progresses, led by GBI Special Agent Will Trent, it becomes clear that Dani Cooper's assault is uncannily linked to Sara's. And the past isn't going to stay buried forever . . .
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Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house's owner, Jules. One day, she reads a poorly written—but gruesome—horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night. To Emma, this can't just be a coincidence. It was strange enough for this author to bicker with her online about a lousy review; could he be stalking her, too? As Emma digs into Kane's life and work, she learns he has published sixteen other novels, all similarly sadistic tales of stalking and murder. But who is he? How did he find her? And what else is he capable of?
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By the time Laura and Olivia notice the headlights tailing them through the hills, it's too late. What seems, at first, like a case of road rage quickly unfolds into a heart-pounding chase—and a battle for survival. Who are the men in the truck? What do they want? And can Laura and Olivia outrun—and outsmart—them long enough to call for help, even if it means taking their chances in the hills on foot? As their situation grows more perilous, the girls realize that the real terror has only just begun. But flight won't save them from their pursuers. If they're going to make it home alive, they'll have to fight.
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Mia and Finn are busy turning a derelict house into their dream home when Mia unexpectedly falls pregnant. But just when they think the house is ready, Mia discovers a shocking message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following the clue up into the eaves, the couple make a gruesome discovery: their home was once a real-life murder house, with the evidence still concealed within the four walls. In the wake of their traumatic discovery, the baby arrives and Mia can't shake her fixation with the monstrous crimes that happened right above them. Tormented by the terrible things she saw, she is desperate to dig into the past to find answers. Secrecy shrouds the mystery of the attic, but when shards of a dark truth start to emerge, Mia realises the danger is terrifyingly present. She is prepared to do anything to protect her family—but will the previous tenants stop her from discovering their secret?
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The media have descended on Garrett Island, a small, isolated community that is the setting of a visionary experiment. All the residents' cars were sent to the mainland and for the past month the islanders have been "driving" the Arrival, a revolutionary autonomous vehicle. With a simple voice command, an Arrival will take you wherever you want to go and, because the fleet is networked and aware of one another, car travel is now 100% safe. The future, it seems, has arrived. As the excitement reaches a fever pitch, Sandra Montrose—islander, single mom, and public relations executive—prepares for Arrival Inc.'s flashy press event. Sandra is more than ready for this new world. Her husband died after falling asleep at the wheel and she's relieved that her two teens, Archie and Katie, will never need driver's licenses. But as the celebratory day gets underway, disaster strikes. A visiting journalist has vanished, possibly murdered. Before long, the Arrivals run amok, no longer taking orders from their passengers. They're starting to organize. They're beginning to hunt. And they seem hell-bent on killing any human they encounter. Is this all just a tragic accident, a technological malfunction with deadly consequences? Or were the vehicles programmed to act this way in a cruel act of corporate sabotage? Or could it be that the Arrivals have a mind of their own?
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#1 in the Ask for Andrea Series
He hunted them online, masquerading as an eligible bachelor. Then he played the perfect gentleman, a thick layer of charm and a thousand-watt smile hiding the fact that his first dates end in shallow graves. He's gotten away with murder three times now. The only thing that might keep him from killing again? The women he murdered. Meghan, Brecia, and Skye might be dead, but they're not gone. They've found each other. And they won't rest until they find a way to stop him. The haunt is on.
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True crime writer Wylie Lark doesn't mind being snowed in at the isolated farmhouse where she's retreated to write her new book. A cozy fire, complete silence. It would be perfect, if not for the fact that decades earlier, at this very house, two people were murdered in cold blood and a girl disappeared without a trace. As the storm worsens, Wylie finds herself trapped inside the house, haunted by the secrets contained within its walls—haunted by secrets of her own. Then she discovers a small child in the snow just outside. After bringing the child inside for warmth and safety, she begins to search for answers. But soon it becomes clear that the farmhouse isn't as isolated as she thought, and someone is willing to do anything to find them.
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Norah can't stop thinking about the night her brother died. She was supposed to stay with him at the Halloween carnival. He'd begged her to stay. But they'd fought, and Norah left him alone in the woods. That was before she realized there was a real killer lurking among the costumes and macabre props. When the carnival reopens just weeks later amid a media controversy, Norah decides to retrace her brother's last steps in a desperate attempt to unravel what really happened that night. But the woods hold more than just traumatic memories. Before long, Norah begins to suspect that the killer's choice of hunting ground was no coincidence. And that this nightmare is far from over.
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Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she's known all her life are disappearing. To hold onto her community's past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block—her neighbor Theo. But Sydney and Theo's deep dive into history quickly becomes a dizzying descent into paranoia and fear. Their neighbors may not have moved to the suburbs after all, and the push to revitalize the community may be more deadly than advertised. When does coincidence become conspiracy? Where do people go when gentrification pushes them out? Can Sydney and Theo trust each other—or themselves—long enough to find out before they too disappear?
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A night spent sleeping on dirt and leaves is not how Claire Matchett expected to spend her vacation. She thought this would be a break from the stresses of work and raising her young children. A chance to repair her damaged marriage. A week of hiking and hot tubs with two other couple friends. It sounded like heaven. Then Claire's minivan breaks down on a lonely dirt road. With no cell reception, the group has no choice but to hike the rest of the way to their hotel. But it turns out the woods aren't as easy to navigate as they thought. Hours later, they are lost. Hopelessly lost. And as they navigate deeper into the woods, the members of their party are struck down mysteriously one by one. Has a wild animal been hunting them? Or is the hunter one of them? But as more time passes, one thing becomes clear: Only one of them will return home alive.
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What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn't believe a word of it. Ghosts, after all, don't exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren't thrilled that their small town has been made infamous thanks to Maggie's father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father's book, she starts to believe that what he wrote was more fact than fiction.
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#10 in the Will Trent Series
Investigating the killing of a prisoner during a riot inside a state penitentiary, GBI investigator Will Trent is confronted with disturbing information. One of the inmates claims that he is innocent of a brutal attack for which he has always been the prime suspect. The man insists that he was framed by a corrupt law enforcement team led by Jeffrey Tolliver and that the real culprit in this gripping crime thriller is still out there—a serial killer who has systematically been preying on women across the state for years. If Will reopens the investigation and implicates the dead police officer with a hero's reputation of wrongdoing, the opportunistic convict is willing to provide the information GBI needs about the riot murder. Only days ago, another young woman was viciously murdered in a state park in northern Georgia. Is it a fluke, or could there be a serial killer on the loose? As Will Trent digs into both crimes it becomes clear that he must solve the cold case in order to find the answer. Yet nearly a decade has passed—time for memories to fade, witnesses to vanish, evidence to disappear, and lies to become truth. But Will can't crack either mystery without the help of the one person he doesn't want involved: his girlfriend and Jeffrey Tolliver's widow, medical examiner Sara Linton. When the past and present begin to collide, Will realizes that in a suspense novel with so many twists and turns, everything he values is at stake . . .
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No visitors. No nights spent elsewhere. No disturbing the rich and famous residents. These are the rules for Jules Larsen's new job apartment sitting at the Bartholomew, one of Manhattan's most high-profile buildings. Recently heartbroken—and just plain broke—Jules is taken in by the splendor and accepts the terms, ready to leave her past life behind. As she gets to know the occupants and staff, Jules is drawn to fellow apartment sitter Ingrid, who reminds her so much of the sister she lost eight years ago. When Ingrid confides that the Bartholomew has a dark history hidden beneath its gleaming façade, Jules brushes it off as a harmless ghost story—until the next day when Ingrid seemingly vanishes. Searching for the truth, Jules digs deeper into the Bartholomew's sordid past. But by uncovering the secrets within its walls, Jules exposes herself to untold terrors. Because once you're in, the Bartholomew doesn't want you to leave....
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College professor Paul Davis is a normal guy with a normal life. Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That's when Paul's "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he's always intended to write. However, the typewriter itself is a problem. Paul swears it's possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn't hear a thing. And she worries he's going off the rails. Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself. But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . . .
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Ten years ago, six friends went on vacation. One made it out alive.... In that instant, college student Quincy Carpenter became a member of a very exclusive club—a group of survivors the press dubbed "The Final Girls": Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who endured the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape the massacre at Pine Cottage. Despite the media's attempts, the three girls have never met. Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life. Her mind won't let her recall the events of that night; the past is in the past...until the first Final Girl is found dead in her bathtub and the second Final Girl appears on Quincy's doorstep. Blowing through Quincy's life like a hurricane, Sam seems intent on making her relive the trauma of her ordeal. When disturbing details about Lisa's death emerge, Quincy desperately tries to unravel Sam's truths from her lies while evading both the police and bloodthirsty reporters. Quincy knows that in order to survive she has to remember what really happened at Pine Cottage. Because the only thing worse than being a Final Girl is being a dead one.
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The danger isn't all in your head . . . Growing up, Kate Priddy was always a bit neurotic, experiencing momentary bouts of anxiety that exploded into full blown panic attacks after an ex-boyfriend kidnapped her and nearly ended her life. When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life. But soon after her arrival at Corbin's grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers, and many questions of her own—curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey's. Alan saw Corbin surreptitiously come and go from Audrey's place, yet he's denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman's old boyfriend, who insists Corbin did the deed the night that he left for London. When she reaches out to her cousin, he proclaims his innocence and calms her nerves . . . until she comes across disturbing objects hidden in the apartment—and accidently learns that Corbin is not where he says he is. Could Corbin be a killer? And what about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn't sure. Jetlagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself . . . So how could she take the chance on a stranger she's just met? Yet the danger Kate imagines isn't nearly as twisted and deadly as what's about to happen. When her every fear becomes very real. And much, much closer than she thinks.
