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I step forward, breathing fast. Movement. I force myself to take another step. I think about all of it, all of the deaths and all of the accidents and all of the pain. And I know what I need to do. It's March 2018, and the country is covered in snow. Roads are impassable, shops are running out of food, and official advice is to stay indoors. Marianne lives on her own and works from home, so this isn't a problem. Until she wakes one morning in her house in the middle of nowhere and finds footprints trailing all across her garden. Half-asleep, she is at first curious. Then she realises the footprints stop at her bedroom window, and curiosity gives way to unease. Who was looking in at her, while she was asleep? As the big freeze worsens and the stalker begins to leave disturbing mementoes, Marianne's thoughts go back two decades to the schoolyard outburst that tore her childhood apart. Old feuds resurface, and the mystery of her mother's death is pulled back into focus. Marianne begins to see patterns – is there a link between her stalker and the true crime story she's been obsessively researching, or does the answer lie closer to home? In the end, 24 days is all it takes for everything to come crashing down.
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Once a year, a road appears in the forest. And at the end of it, the ghost of Lucy Gallows beckons. Lucy's game isn't for the faint of heart. If you win, you escape with your life. But if you lose.... Sara's sister disappeared one year ago--and only Sara knows where she is. Becca went to find the ghost of Lucy Gallows and is trapped on the road that leads to her. In the sleepy town of Briar Glen, Lucy's road is nothing more than local lore. But Sara knows it's real, and she's going to find it. When Sara and her skeptical friends meet in the forest to search for Becca, the mysterious road unfurls before them. All they have to do is walk down it. But the path to Lucy is not of this world, and it has its own rules. Every mistake summons new horrors. Vengeful spirits and broken, angry creatures are waiting for them to slip, and no one is guaranteed safe passage. The only certainty is this: the road has a toll and it will be paid. Sara knows that if she steps onto the road, she might not come back. But Becca needs her.
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When former journalist Rain Winter was twelve years old, she narrowly escaped an abduction while walking to a friend's house. The abductor was eventually found and sent to prison, but years later was released. Then someone delivered real justice--and killed him in cold blood. Now Rain is living the perfect suburban life, spending her days as a stay-at-home mom. But when another criminal who escaped justice is found dead, Rain is unexpectedly drawn into the case, forced to revisit memories she's worked hard to leave behind. Is there a vigilante at work? Who is the next target? Why can't Rain just let it go? Introducing one of the most compelling and original killers in crime fiction today, Lisa Unger takes readers deep inside the minds of both perpetrator and victim, blurring the lines between right and wrong, crime and justice, and showing that sometimes even good people are drawn to do evil things.
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#1 in The Family Upstairs Series
Soon after her twenty-fifth birthday, Libby Jones returns home from work to find the letter she's been waiting for her entire life. She rips it open with one driving thought: I am finally going to know who I am. She soon learns not only the identity of her birth parents, but also that she is the sole inheritor of their abandoned mansion on the banks of the Thames in London's fashionable Chelsea neighborhood, worth millions. Everything in Libby's life is about to change. But what she can't possibly know is that others have been waiting for this day as well—and she is on a collision course to meet them. Twenty-five years ago, police were called to 16 Cheyne Walk with reports of a baby crying. When they arrived, they found a healthy ten-month-old happily cooing in her crib in the bedroom. Downstairs in the kitchen lay three dead bodies, all dressed in black, next to a hastily scrawled note. And the four other children reported to live at Cheyne Walk were gone.
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When she stumbles across the ad, she's looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious "smart" home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn't know is that she's stepping into a nightmare—one that will end with a child dead and herself awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn't just the constant surveillance from the home's cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn't just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn't even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she's made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn't always ideal. She's not innocent, by any means. But, she maintains, she's not guilty—at least not of murder—but somebody is.
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No visitors. No nights spent elsewhere. No disturbing the rich and famous residents. These are the rules for Jules Larsen's new job apartment sitting at the Bartholomew, one of Manhattan's most high-profile buildings. Recently heartbroken—and just plain broke—Jules is taken in by the splendor and accepts the terms, ready to leave her past life behind. As she gets to know the occupants and staff, Jules is drawn to fellow apartment sitter Ingrid, who reminds her so much of the sister she lost eight years ago. When Ingrid confides that the Bartholomew has a dark history hidden beneath its gleaming façade, Jules brushes it off as a harmless ghost story—until the next day when Ingrid seemingly vanishes. Searching for the truth, Jules digs deeper into the Bartholomew's sordid past. But by uncovering the secrets within its walls, Jules exposes herself to untold terrors. Because once you're in, the Bartholomew doesn't want you to leave....
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Littleport, Maine, has always felt like two separate towns: an ideal vacation enclave for the wealthy, whose summer homes line the coastline; and a simple harbor community for the year-round residents whose livelihoods rely on service to the visitors. Typically, fierce friendships never develop between a local and a summer girl—but that's just what happens with visitor Sadie Loman and Littleport resident Avery Greer. Each summer for almost a decade, the girls are inseparable—until Sadie is found dead. While the police rule the death a suicide, Avery can't help but feel there are those in the community, including a local detective and Sadie's brother, Parker, who blame her. Someone knows more than they're saying, and Avery is intent on clearing her name, before the facts get twisted against her.
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During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they've chosen an idyllic and isolated estate in the remote wilderness of the Scottish Highlands—the perfect place to get away and unwind by themselves. The trip begins innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But in this chilling psychological thriller, the weight of secret resentments has grown too heavy for the group's tenuous nostalgia to bear. Amid the boisterous revelry of New Year's Eve, the cord holding them together snaps, just as a historic blizzard seals the lodge off from the outside world. Two days later, on New Year's Day, one of them is dead. . . and another of them did it, turning this holiday into a deadly whodunit. Keep your friends close, the old adage says. But how close is too close?
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Owen Foster has never wanted for anything. Then his mother shows up at his elite New Orleans boarding school cradling a bombshell: his privileged life has been funded by stolen money. After using the family business, the single largest employer in his small Louisiana town, to embezzle millions and drain the employees' retirement accounts, Owen's father vanished without a trace, leaving Owen and his mother to deal with the fallout. Owen returns to Lake Cane to finish his senior year, where people he hardly remembers despise him for his father's crimes. It's bad enough dealing with muttered insults and glares, but when Owen and his mother receive increasingly frightening threats from someone out for revenge, he knows he must get to the bottom of what really happened at Louisiana Frac...and the cryptic note his father sent him at his boarding school days before disappearing. Owen's only refuge is the sprawling, isolated pecan orchard he works at after school, owned by a man named Gus who has his own secrets—and in some ways seems to know Owen better than he knows himself. As Owen uncovers a terrible injustice that looms over the same Preacher Woods he's claimed as his own, he must face a shocking truth about his past—and write a better future.
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It's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery. So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in and try to make the best of it. Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic. Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm--and one another.
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Two Truths and a Lie. Vivian, Natalie, Allison, and Emma played it all the time in their cabin at Camp Nightingale. But the games ended the night Emma sleepily watched the others sneak out into the darkness. The last she—or anyone—saw of the teenagers was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.... Fifteen years later, Emma is a rising star in the New York art scene, turning her past into paintings—massive canvases filled with dark leaves and gnarled branches over ghostly shapes in white dresses. When the paintings catch the attention of the wealthy owner of Camp Nightingale, she implores Emma to come back to the newly reopened camp as a painting instructor. Despite her guilt and anxiety—or maybe because of them—Emma agrees to revisit her past. Nightingale looks the same as it did all those years ago, haunted by a midnight-dark lake and familiar faces. Emma is even assigned to the same cabin she slept in as a teenager, although the security camera pointed at her door is a disturbing new addition. As cryptic clues about the camp's origins begin to surface, Emma attempts to find out what really happened to her friends. But her closure could come at a deadly price.
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On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she's honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased...where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it.
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Kimberly Crepeaux is no good, a notorious jailhouse snitch, teen mother, and heroin addict whose petty crimes are well-known to the rural Maine community where she lives. So when she confesses to her role in the brutal murders of Jackie Pelletier and Ian Kelly, the daughter of a well-known local family and her sweetheart, the locals have little reason to believe her story. Not Rob Barrett, the FBI investigator and interrogator specializing in telling a true confession from a falsehood. He's been circling Kimberly and her conspirators for months, waiting for the right avenue to the truth, and has finally found it. He knows, as strongly as he's known anything, that Kimberly's story—a grisly, harrowing story of a hit and run fueled by dope and cheap beer that becomes a brutal stabbing in cold bloodis how it happened. But one thing remains elusive: where are Jackie and Ian's bodies? After Barrett stakes his name and reputation on the truth of Kimberly's confession, only to have the bodies turn up 200 miles from where she said they'd be, shot in the back and covered in a different suspect's DNA, the case is quickly closed and Barrett forcibly reassigned. But for Howard Pelletier, the tragedy of his daughter's murder cannot be so tidily swept away. And for Barrett, whose career may already be over, the chance to help a grieving father may be the only one he has left.
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As much as Libby Hall needs a vacation, she's never considered taking one until she sees the note for a house swap. Suffering a miscarriage was a personal turning point. Saving a child from a burning school was a public one. Just as the emotional fallout of both incidents takes its toll, along comes her lifesavers—the Heywoods, a couple in need of a getaway of their own. Libby and her husband Jamie can't believe their good fortune when they arrive at the Heywood's isolated seaside estate with its panoramic views—and just in exchange for their drab two-bedroom apartment. How generous of the Heywoods! Yet how odd. Libby almost feels guilty until the home yields disquieting surprises: a fortune in hidden surveillance equipment, a stranger in the garden who watches them, and the make-shift operating room in the basement... When Jamie falls dangerously ill, all Libby wants is to return to their comfortably imperfect lives. But it's already too late. Libby has just discovered the Heywoods' biggest secret. And when it appears that even Jamie is hiding something from her, Libby's paranoia gets the best of her. It should. For she has buried secrets of her own. As the past comes crawling out of the darkness, Libby fears she's walked into an elaborate trap. But who has set it? What do they want of her? And what is she willing to risk to make it out alive...?
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On a cool June morning, a woman is walking her dog in the idyllic coastal village of Salten, along a tidal estuary known as the Reach. Before she can stop him, the dog charges into the water to retrieve what first appears to be a wayward stick, but to her horror, turns out to be something much more sinister... The next morning, three women in and around London—Fatima, Thea, and Isa—receive the text they had always hoped would never come, from the fourth in their formerly inseparable clique, Kate, that says only, "I need you." The four girls were best friends at Salten, a second-rate boarding school set near the cliffs of the English Channel. Each different in their own way, the four became inseparable and were notorious for playing the Lying Game, telling lies at every turn to both fellow boarders and faculty. But their little game had consequences, and as the four converge in present-day Salten, they realize their shared past was not as safely buried as they had once hoped...
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A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
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#6 in the Dublin Murder Squad Series
Being on the Murder Squad is nothing like Detective Antoinette Conway dreamed it would be. Her partner, Stephen Moran, is the only person who seems glad she's there. The rest of her working life is a stream of thankless cases, vicious pranks, and harassment. Antoinette is savagely tough, but she's getting close to the breaking point. Their new case looks like yet another by-the-numbers lovers' quarrel gone bad. Aislinn Murray is blond, pretty, groomed-to-a-shine, and dead in her catalog-perfect living room, next to a table set for a romantic dinner. There's nothing unusual about her—except that Antoinette's seen her somewhere before. And that her death won't stay in its neat by-numbers box. Other detectives are trying to push Antoinette and Steve into arresting Aislinn's boyfriend, fast. There's a shadowy figure at the end of Antoinetteʼs road. Aislinnʼs friend is hinting that she knew Aislinn was in danger. And everything they find out about Aislinn takes her further from the glossy, passive doll she seemed to be. Antoinette knows the harassment has turned her paranoid, but she can't tell just how far gone she is. Is this case another step in the campaign to force her off the squad, or are there darker currents flowing beneath its polished surface?
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The old Victorian pier was a thing of beauty until it was allowed to decay. It was where the youth of Oldcliffe-on-Sea would go to hang out. It's also where twenty-one-year-old Sophie Collier disappeared eighteen years ago. Francesca Howe, known as Frankie, was Sophie's best friend, and even now she is haunted by the mystery of what happened to her. When Frankie gets a call from Sophie's brother, Daniel, informing her that human remains have been found washed up nearby, she immediately wonders if it could be Sophie, and returns to her old hometown to try and find closure. Now an editor at a local newspaper, Daniel believes that Sophie was terrified of someone and that her death was the result of foul play rather than "death by misadventure," as the police claim. Daniel arranges a holiday rental for Frankie that overlooks the pier where Sophie disappeared. In the middle of winter and out of season, Frankie feels isolated and unnerved, especially when she is out on the pier late one night and catches a glimpse of a woman who looks like Sophie. Is the pier really haunted, as they joked all those years ago? Could she really be seeing her friend's ghost? And what actually happened to her best friend all those years ago?
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Everyone knows a couple like Jack and Grace. He has looks and wealth; she has charm and elegance. He's a dedicated attorney who has never lost a case; she is a flawless homemaker, a masterful gardener and cook, and dotes on her disabled younger sister. Though they are still newlyweds, they seem to have it all. You might not want to like them, but you do. You're hopelessly charmed by the ease and comfort of their home, by the graciousness of the dinner parties they throw. You'd like to get to know Grace better. But it's difficult, because you realize Jack and Grace are inseparable. Some might call this true love. Others might wonder why Grace never answers the phone. Or why she can never meet for coffee, even though she doesn't work. How she can cook such elaborate meals but remain so slim. Or why she never seems to take anything with her when she leaves the house, not even a pen. Or why there are such high-security metal shutters on all the downstairs windows. Some might wonder what's really going on once the dinner party is over, and the front door has closed.
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In the windswept British seaside town of Ridinghouse Bay, single mom Alice Lake finds a man sitting on a beach outside her house. He has no name, no jacket, and no idea how he got there. Against her better judgment, she invites him inside. Meanwhile, in a suburb of London, newlywed Lily Monrose grows anxious when her husband fails to return home from work one night. Soon, she receives even worse news: according to the police, the man she married never even existed. Twenty-three years earlier, Gray and Kirsty Ross are teenagers on a summer holiday with their parents. The annual trip to Ridinghouse Bay is uneventful, until an enigmatic young man starts paying extra attention to Kirsty. Something about him makes Gray uncomfortable—and it's not just because he's a protective older brother. Who is the man on the beach? Where is Lily's missing husband? And what ever happened to the man who made such a lasting and disturbing impression on Gray?
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#1 in the Lo Blacklock Series
Travel magazine writer Lo Blacklock has just been given the assignment of a lifetime: one week on a luxury cruise with only a handful of cabins. The sky is clear, the waters calm, and the elite guests jovial as the exclusive cruise ship, the Aurora, begins her voyage in the picturesque North Sea. At first, Lo's voyage is perfect, with a plush cabin, elegant dinner parties, and plenty of relaxation. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a dark and terrifying nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for—and so, the ship sails on as if nothing has happened, despite Lo's desperate attempts to convey that something has gone terribly, terribly wrong...
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Welcome to Wonderland. By day, it's a magical place boasting a certain retro charm. Excited children, hands sticky with cotton candy, run frenetically from the Giant Octopus ride to the Spinning Sombrero, while the tinkling carnival music of the giant Wonder Wheel--the oldest Ferris wheel in the Pacific Northwest--fills the air. But before daybreak, an eerie feeling descends. Maybe it's the Clown Museum, home to creepy wax replicas of movie stars and a massive collection of antique porcelain dolls. Or maybe it's the terrifyingly real House of Horrors. Or...maybe it's the dead, decaying body left in the midway for all the Wonder Workers to see. Vanessa Castro's first day as deputy police chief of Seaside, Washington, is off to a bang. The unidentifiable homeless man rotting inside the tiny town's main tourist attraction is strange enough, but now a teenage employee--whose defiant picture at the top of the Wonder Wheel went viral that same morning--is missing. As the clues in those seemingly disparate crimes lead her down a mysterious shared path of missing persons that goes back decades, she suspects the seedy rumors surrounding the amusement park's dark history might just be true. She moved to Seaside to escape her own scandalous past, but has she brought her family to the center of an insidious killer's twisted game?
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#1 in the Mark Novak Series
Markus Novak just wants to come home. An investigator for a Florida-based Death Row defense firm, Novak's life derailed when his wife, Lauren, was killed in the midst of a case the two were working together. Two years later, her murderer is still at large, and Novak's attempts to learn the truth about her death through less-than-legal means and jailhouse bargaining have put his job on the line. Now he's been all but banished, sent to Garrison, Indiana to assess a cold case that he's certain his boss has no intention of taking. As Novak knows all too well, some crimes never do get solved. But it's not often that the man who many believe got away with murder is the one calling for the case to be reopened. Ten years ago, a teenaged girl disappeared inside an elaborate cave system beneath rural farmland. Days later, Ridley Barnes emerged carrying Sarah Martin's lifeless body. Barnes has claimed all along that he has no memory of exactly where—or how—he found Sarah. His memory of whether she was dead or alive at the time is equally foggy. Tired of living under a cloud of suspicion, he says he wants answers—even if they mean he'll end up in the electric chair. But what's he really up to? And Novak knows why he's so unhappy to be in Garrison—but why are the locals so hostile towards him? The answers lie in the fiendish brain of a dangerous man, the real identity of a mysterious woman, and deep beneath them all, in the network of ancient, stony passages that hold secrets deadlier than he can imagine. Soon Novak is made painfully aware that if he has any chance of returning to the life and career he left behind in Florida, he'll need to find the truth in Garrison first.
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A mother with an empty nest is being haunted by a ghostly children's choir. Are they giving her an important message that only she can hear, or are their motives more sinister? Louise Beeston is being haunted. Louise has no reason left to stay in the city. She can't see her son, Joseph, who is away at boarding school, where he performs in a prestigious boys' choir. Her troublesome neighbor has begun blasting choral music at all hours of the night―and to make matters worse, she's the only one who can hear it. Hoping to find some peace, Louise convinces her husband, Stuart, to buy them a country house in an idyllic, sun-dappled gated community called Swallowfield. But it seems that the haunting melodies of the choir have followed her there. Could it be that her city neighbor has trailed her to Swallowfield, just to play an elaborate, malicious prank? Is there really a ghostly chorus playing outside her door? And why won't they stop? Growing desperate, she begins to worry about her mental health. Against the pleas and growing disquiet of her husband, Louise starts to suspect that this sinister choir is not only real but a warning. But of what? And how can it be, when no one else can hear it?
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Mallory killed her boyfriend, Brian. She can't remember the details of that night but everyone knows it was self-defense, so she isn't charged. But Mallory still feels Brian's presence in her life. Is it all in her head? Or is it something more? In desperate need of a fresh start, Mallory is sent to Monroe, a fancy prep school where no one knows her . . . or anything about her past. But the feeling follows her, as do her secrets. Then, one of her new classmates turns up dead. As suspicion falls on Mallory, she must find a way to remember the details of both deadly nights so she can prove her innocence-to herself and others.
