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Meet Elsie Mabel Fitzpatrick: eighty-one years old, gloriously grumpy, fiercely independent, and never without a hot cup of tea—or a cutting remark. She minds her own business in her quiet Melbourne suburb, until a neighbor turns up dead and the whispers start flying. Because Elsie hasn't always been Elsie. Once upon a headline, she was Mad Mabel Waller—Australia's youngest convicted murderer. But was she really mad, or just misunderstood? Either way, she's kept her secret buried for decades. Enter seven-year-old Persephone, a relentless little chatterbox who has just moved in across the road (armed with stickers, questions, and no sense of personal boundaries); Joan, who appears to have it in for Elsie; and a healthy dose of public interest—the cops are sniffing around, and the media is circling like seagulls at a picnic. So Mabel does what she's always done best—she takes matters into her own hands. Is she a cantankerous old lady with a shady past? A cold-blooded killer with arthritis? Or just someone who's finally ready to tell her side of the story?
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For as long as they can remember, Jessica, Norah, and Alicia have been told how lucky they are. As young girls they were rescued from family tragedies and raised by a loving foster mother, Miss Fairchild, on an idyllic farming estate and given an elusive second chance at a happy family life. But their childhood wasn't the fairy tale everyone thinks it was. Miss Fairchild had rules. Miss Fairchild could be unpredictable. And Miss Fairchild was never, ever to be crossed. In a moment of desperation, the three broke away from Miss Fairchild and thought they were free. Even though they never saw her again, she was always somewhere in the shadows of their minds. When a body is discovered under the home they grew up in, the foster sisters find themselves thrust into the spotlight as key witnesses. Or are they prime suspects?
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Picture a lovely cottage on a cliff, with sloping lawns, walking paths, and beautiful flowers. It's Gabe and Pippa Gerard's dream home in a sleepy coastal town. But their perfect house hides something sinister. The tall cliffs have become a popular spot for people to end their lives. Over the past several months, Gabe comes to their rescue, literally talking them off the ledge. Until one day, he doesn't. When Pippa discovers Gabe knew the victim, the questions spiral. . . .Did the victim jump? Was she pushed? And would Gabe, the love of Pippa's life, her soulmate . . . lie? As the perfect façade of their marriage begins to crack, the deepest and darkest secrets begin to unravel. Because sometimes, the most convincing lies are the ones we tell ourselves.
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A heart surgeon at the top of his field, Stephen Aston is getting married again. But first he must divorce his current wife, even though she can no longer speak for herself. Tully and Rachel Aston look upon their father's fiancée, Heather, as nothing but an interloper. Heather is younger than both of them. Clearly, she's after their father's money. With their mother in a precarious position, Tully and Rachel are determined to get to the truth about their family's secrets, the new wife closing in, and who their father really is. Heather has secrets of her own. Will getting to the truth unleash the most dangerous impulses in all of them?
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Fern Castle works in her local library. She has dinner with her twin sister Rose three nights a week. And she avoids crowds, bright lights and loud noises as much as possible. Fern has a carefully structured life and disrupting her routine can be...dangerous. When Rose discovers that she cannot get pregnant, Fern sees her chance to pay her sister back for everything Rose has done for her. Fern can have a baby for Rose. She just needs to find a father. Simple. Fern's mission will shake the foundations of the life she has carefully built for herself and stir up dark secrets from the past, in this quirky, rich and shocking story of what families keep hidden.
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From the moment Lucy met her husband's mother, she knew she wasn't the wife Diana had envisioned for her perfect son. Exquisitely polite, friendly, and always generous, Diana nonetheless kept Lucy at arm's length despite her desperate attempts to win her over. And as a pillar in the community, an advocate for female refugees, and a woman happily married for decades, no one had a bad word to say about Diana...except Lucy. That was five years ago. Now, Diana is dead, a suicide note found near her body claiming that she longer wanted to live because of the cancer wreaking havoc inside her body. But the autopsy finds no cancer. It does find traces of poison, and evidence of suffocation. Who could possibly want Diana dead? Why was her will changed at the eleventh hour to disinherit both of her children, and their spouses? And what does it mean that Lucy isn't exactly sad she's gone?
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From the outside, Essie's life looks idyllic: a loving husband, a beautiful house in a good neighborhood, and a nearby mother who dotes on her grandchildren. But few of Essie's friends know her secret shame: that in a moment of maternal despair, she once walked away from her newborn, asleep in her carriage in a park. Disaster was avoided and Essie got better, but she still fears what lurks inside her, even as her daughter gets older and she has a second baby. When a new woman named Isabelle moves in next door to Essie, she is an immediate object of curiosity in the neighborhood. Why single, when everyone else is married with children? Why renting, when everyone else owns? What mysterious job does she have? And why is she so fascinated with Essie? As the two women grow closer and Essie's friends voice their disapproval, it starts to become clear that Isabelle's choice of neighborhood was no accident. And that her presence threatens to bring shocking secrets to light.
