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When Lena overhears a conversation between her next-door-neighbors she thinks she must have misheard. The Morgans are a kind, retired couple who recently moved to their sleepy suburban street in Bristol where nothing ever happens. But to Lena it sounded very much like they were planning a crime. Her family and friends tell her she must be mistaken. Yet Lena can't stop thinking about that strange conversation. What if they really are about to do something terrible? What if she can prevent it? Especially when doing something might help ease her conscience about her own dark past . . .
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Tasha and her older sister Alice may look alike, but they couldn't be more different. Tasha's married with two children and still lives in their hometown near Bristol. Alice is a high-flying scientist who travels the world with her equally successful husband. Yet each sister would trust the other with her life. When Tasha and her husband Aaron need a break and Alice offers to stay in their home with the kids, Tasha knows her family is in safe hands. She couldn't be more wrong. The call from home is devastating. Alice and her husband Kyle have been attacked, leaving Alice in intensive care and Kyle dead. Rushing to the hospital, Tasha finds the police trying to piece events together. She can't think why anyone would attack her sister. Then the note arrives, addressed to Tasha: It was supposed to be you . . . Every family has secrets. Some more deadly than others.
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Emilia Ward lives in suburban London with her husband, their young son, and a teenager from her first marriage. Emilia is an ordinary mom—and she's also the bestselling author of the Miranda Moody detective novels. But when writing her tenth—and most difficult—book, life takes a disturbing turn: an incident mimicking the plot of one of her novels occurs in real life. Just an unsettling coincidence, right? Until it happens again. And again. Then someone she knows dies in the same way as a victim in the book she's currently writing. Why is someone doing this? What do they want? How could they possibly know what she's thinking—and writing? Is Emilia and her family next?
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In a rural Wilshire town lies the Devil's Corridor—a haunted road which has witnessed eerie happenings, from unexplained deaths to the sounds of a child crying in the night. In this bucolic stretch of Southwest England famous for its otherworldly sites, nothing is more puzzling than the Olivia Rutherford case. Four girls were driving home. After their car crashed only one—Olivia—was found. What happened to the girls who disappeared? On the twentieth anniversary of the tragedy, journalist Jenna Halliday has arrived in Wiltshire to cover the case. The locals aren't happy with this outsider determined to dig into the past. Least of all Olivia. Soon, Jenna starts receiving menacing notes. The locals have made it clear she's not welcome. But someone is going to make her leave one way or another. Jenna's been warned: she must get out of this town before she suffers a dark fate . . . and becomes another mystery attached to this place.
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When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering human remains. The remains of two bodies, in fact. Forensics indicate the bodies have been buried at least thirty years. Saffy has nothing to worry about—until the police launch a murder inquiry and ask to speak to the cottage's former owner. Her grandmother, Rose. Rose is in a nursing home and Alzheimer's means her memory is increasingly confused. She can't help the police, but its' clear she remembers something. As Rose's fragmented memories resurface, and the police dig ever deeper, Saffy fears she and the cottage are being watched. What happened thirty years ago? Why did no one miss the victims? What part did her grandmother play? And is Saffy now in danger?
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At loose ends after the devastating death of her mother, Una Richardson responds to an advertisement for a ladies' companion, a position that leads her into the wealthy, secluded world of Mrs. Elspeth McKenzie. But Elspeth's home isn't the comforting haven it seems. Kathryn, her cold and bitter daughter, resents Una's presence. More disturbing is evidence suggesting two girls lived here before her. What happened to the young women? Why won't the McKenzies talk about them? What are they hiding? As the walls begin to close in around her, Una fears she'll end up just like the other girls . . .
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On a summer's night in 1994, sixteen-year-old Flora Powell vanished from her sleepy seaside town without a trace. Their hearts shattered, Flora's mother, her sister Heather, and Heather's best friend Jess had to somehow carry on not knowing what happened. Twenty-five years later, tragedy strikes again when Heather walks into a stranger's house and allegedly kills two people in cold blood. Why would this loving wife and doting new mother commit such a heinous crime? Jess, now a reporter, returns to the hometown she left behind to cover the case and dig for answers. But this isn't like any other story. Jess was like a sister to the Powell girls, until the summer that tore them all apart. What happened to the girl she used to know? The question haunts Jess and propels her to find the key that may unlock the mysteries involving both sisters. But the search may reveal more . . . a darker side to this idyllic place she thought she knew.
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Following a traumatic event in London, Kirsty Woodhouse packs up her family and moves back to her native Wales. There she sets up her new home with her husband and two young daughters, and goes into business with her difficult mother managing a guesthouse in the Brecon Beacons. But when the guesthouse is ready to be occupied, Kirsty encounters the last person she ever expected to see: her estranged cousin Selena. It has been seventeen years since they last talked—when Selena tore everything apart between them. Why has she chosen now to walk back into Kirsty's life? Is Selena running from something too? Or is there an even darker reason for her visit? As Kirsty becomes increasingly concerned for the safety of her daughters, her dream home begins to feel like her worst nightmare. Kirsty knows that once you invite trouble into your home, it can be murder getting rid of it . . .
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As much as Libby Hall needs a vacation, she's never considered taking one until she sees the note for a house swap. Suffering a miscarriage was a personal turning point. Saving a child from a burning school was a public one. Just as the emotional fallout of both incidents takes its toll, along comes her lifesavers—the Heywoods, a couple in need of a getaway of their own. Libby and her husband Jamie can't believe their good fortune when they arrive at the Heywood's isolated seaside estate with its panoramic views—and just in exchange for their drab two-bedroom apartment. How generous of the Heywoods! Yet how odd. Libby almost feels guilty until the home yields disquieting surprises: a fortune in hidden surveillance equipment, a stranger in the garden who watches them, and the make-shift operating room in the basement... When Jamie falls dangerously ill, all Libby wants is to return to their comfortably imperfect lives. But it's already too late. Libby has just discovered the Heywoods' biggest secret. And when it appears that even Jamie is hiding something from her, Libby's paranoia gets the best of her. It should. For she has buried secrets of her own. As the past comes crawling out of the darkness, Libby fears she's walked into an elaborate trap. But who has set it? What do they want of her? And what is she willing to risk to make it out alive...?
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The old Victorian pier was a thing of beauty until it was allowed to decay. It was where the youth of Oldcliffe-on-Sea would go to hang out. It's also where twenty-one-year-old Sophie Collier disappeared eighteen years ago. Francesca Howe, known as Frankie, was Sophie's best friend, and even now she is haunted by the mystery of what happened to her. When Frankie gets a call from Sophie's brother, Daniel, informing her that human remains have been found washed up nearby, she immediately wonders if it could be Sophie, and returns to her old hometown to try and find closure. Now an editor at a local newspaper, Daniel believes that Sophie was terrified of someone and that her death was the result of foul play rather than "death by misadventure," as the police claim. Daniel arranges a holiday rental for Frankie that overlooks the pier where Sophie disappeared. In the middle of winter and out of season, Frankie feels isolated and unnerved, especially when she is out on the pier late one night and catches a glimpse of a woman who looks like Sophie. Is the pier really haunted, as they joked all those years ago? Could she really be seeing her friend's ghost? And what actually happened to her best friend all those years ago?
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When one sister dies, the other must go to desperate lengths to survive ... Haunted by her twin sister's death, Abi is making a fresh start in Bath. But when she meets siblings Bea and Ben, quickly moving into the townhouse they share with a a group of lodgers, strange things start to happen. Abi's precious letters go missing, threatening messages are left in her room ... Is this the work of the beautiful and capricious Bea? Or is Abi hiding something of her own? Is it a dark secret – one she thought had died with her sister...?
